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This article pretends to provide tools and information useful for the preparation and performance of the First Piano Sonata, Op.22, by Argentinian composer Alberto Ginastera. A short historical context of his production is included, emphasizing the creative period in which the Sonata was created as well as his catalogue of piano pieces with the purpose of getting the pianist in touch with the composer’s work. The article also contains an analysis of both the overall structure of the piece and of each of the movements, along with a series of practical advises and suggestions focused on the technique and interpretative aspects with the main purpose of easing the practice and performance of the piece. Furthermore, a brief analysis of three different recordings is included with general comments related to the specific matters treated along the development of the article.

Análisis ejecutivo-interpretativo de la sonata para plano no. 1, op. 22, de alberto ginastera