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Academic composition has always sought ways to feed itself with music of popular tradition and can be traced, in the history of western music, many composers who have appealed to its use. It is important to continue observing and studying the creative processes that keep alive both musical practices and the artistic expressions that keep exploring various ways to establish relationships between the academic and the popular composition. My intention is to show different ways to make inclusion of tone elements that refer to music and/or contexts of popular tradition in electroacoustic composition and see its impact on the musical discourse. Categories will be established in order to identify and analyze what I call popular sound object and will be noticed how is it used and manipulated by different composers in Latin America and Colombia in particular.

ricercare

El objeto sonoro popular y su papel en la composición electroacústica. Análisis de expresiones de música popular en el repertorio electroacústico y su uso en la creación musical