English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

The emergency measures of the Union government under Jan Smuts had a strong impact on the Ossewa-Brandwag (OB) during the Second World War. The OB was especially targeted by the government because of its overt pro-German and anti-British stance and its active resistance against the war effort. The ideology of the movement was built upon a strong basis of Afrikaner nationalism in conjunction with National Socialism which was supposed to legitimise the movement as an alternative to party politics. OB members expressed Afrikaner nationalist sentiments which meant resistance against Britain with the goal of attaining an independent republic - the so-called "ideal of freedom". Consequently, the OB's active resistance led to high numbers of internment. This article focuses on the South African internment camps of the Second World War. The nationalist iconography reflected in the artefacts created by OB members during their internment are analysed within the broader context of Afrikaner nationalism and the ideology of the OB. The OB had a very specific brand of Afrikaner nationalism and the ideal of freedom, central to its ideology, was combined with existing Afrikaner nationalist goals and subsequently nationalist iconography manifested itself in internees' creative expressions of their own personal nationalist sentiments. The artefacts also reflect the integration of Afrikaner nationalist iconography and the OB's ideal of freedom with personal contexts of imprisonment illustrating how political myths can be reshaped to provide meaning for the present realities of contemporaries.

The inconography of Afrikaner nationalism and the Ossewa-Brandwag's 'ideal of freedom' in the South African internment camps of the Second World War