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Chorography is a little-known field of theory and practice concerned with the significance of place, regional description/characterization, local history, and representation. A well-established discipline and methodology with demonstrable roots in antiquity and an important role in the development of antiquarian research, regional studies and the establishment of modern archaeology, chorography is useful for understanding the history of scholarship and may continue to provide sound theoretical principles and practical methods for new explorations of archaeological monuments and landscapes. This paper discusses the historical uses of chorography, beginning with practitioners from classical antiquity but emphasizing the uniquely British chorographic tradition of the sixteenth through eighteenth centuries. Attention is also given to more recent efforts at exploring this tradition by literary scholars, historiographers and archaeological theorists. Careful analysis of works of—and about—chorography allows for the explication of key theoretical principles and practical methods, which are presented and elaborated upon. It is argued that chorography offers a coherent, viable and valuable approach to evaluating the long-term significance of landscapes, monuments and regions, crossing conventional disciplinary divides and connecting past and present. The paper concludes with some thoughts on the benefits of chorography for contemporary research and its potential role in modern archaeology.

Chorography: History, Theory and Potential for Archaeological Research