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Having been among us for at least nineteen years, online or web comics are not new. In spite of the rise of Adobe Flash and Javascript-based web applications, motion and mobile comics including audio and other interactive features are an important part of contemporary digital visual culture; an archeology of online comics (and a debate about the need for their digital preservation) has yet to be made. In this paper I focus on two of the earliest examples of the form, Where the Buffalo Roam and Dr Fun, which were quick to explore the possibilities offered by the Internet, embedding the language of comics strips onto the online texture while remaining loyal to the basic narrative mechanics and spatial parameters of print. They both produced texts at breakneck speed and rearticulated the form and format, timing and tempo of the comics strip within a network that allowed individual units of graphic narrative to become longer, / Dr Ernesto Priego is interested in comics scholarship, scholarly communications, electronic publishing, digital humanities, print culture, Latin American studies, media studies, digital engagement, citizen journalism, poetry. He contributes to various international online projects, including HASTAC, Global Voices, University of Venus/Inside Higher Education, the Guardian Higher Education Network, The Gothic Imagination and others. He lives in London and is a founding member and coordinating editor of The Comics Grid.

Beyond [Adobe] Flash™: Flash: Hans Bordahl's and David Farley's Online Comics as Short Digital Narratives