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This article examines the work of the newly-minted Scots makar, Jackie Kay, charting her development as a black Scottish writer committed to the interrogation of identity categories. McFarlane focuses in particular on ‘Bronze Head from Ife’, a poem in Kay’s most recent collection Fiere (2012), and elucidates the synthesis this poem offers of Kay’s Nigerian and Scottish roots, invoking both Burns and Nigerian artwork to offer a form of civic nationalism that embraces difference and multiplicity.

The Poetry of Civic Nationalism: Jackie Kay’s ‘Bronze Head From Ife’