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The concept of ‘insider’ vs. ‘outsider’ plays a significant role in the assessment and discussion throughout my paper, which – based mainly on nineteenth-century fiction – is concerned with the representation in writing of regional and social features of language in England with special reference to accents. Writers and readers can be insiders as well as outsiders, here simply defined as members or non-members of the speech community they represent in writing or interpret in reading. From the writer’s perspective, the language of a written text can be described as ‘intrinsic’ or ‘extrinsic’ to the author (cf. Hickey (2010: 9), who states that “where the language being represented is extrinsic to the author it may well be unreliable”, characterized among other things by vacuous re-spellings). A thorny issue in the analysis of dialect representation in fiction is the significance of authenticity, which is highlighted in Jane Hodson’s pioneering publication Dialect in Film and Literature (2014), among

“Norfolk People Know Best”: On the Written Representation of Accents as Performed and Perceived by ‘Insiders’ and ‘Outsiders’