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This paper proposes a brief analysis of the Brazilian film O Anjo da Noite (The Angel Of The Night, Walter Hugo Khouri, 1974). The analysis seeks to understand how this film, inspired by the Gothic literature tradition of the eighteenth century and in the classic The Turn of the Screw (Henry James, 1898), conducted a sophisticated reflection on sexual and social anxieties that challenged the Brazilian society at the time. The work analyzes the dialogue undertaken by Khouri’s movie with the discursive operations of gothic horror fiction, suggesting that the director used that style (emerged during the decadence of the Ancien Regime, in the eighteenth century) to represent Brazilian social tensions in the 1970s.

O Anjo da Noite, horror gótico e tensões sociais brasileiras na década de 1970