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Discussão sobre a importância do LP Canção do Amor Demais dentro do panorama da cultura brasileira, mais do que do âmbito da música popular em si, a partir do texto de Vinícius de Moraes na contracapa do disco e da crítica de José da Veiga Oliveira. A fronteira existente entre o popular e erudito fica menos evidente neste disco, por conta do alto grau composicional das canções e pelos arranjos assinados por Jobim, tendo em vista que ali se deu a apresentação de João Gilberto em disco e da batida do violão que iria simbolizar a Bossa Nova. This article discusses the importance of the LP Canção do Amor Demais (Song of Too Much Love) within the panorama of Brazilian culture, much more than simply within the area of popular music itself. As the a starting point, this discussion uses the LP's liner notes by Vinícius de Moraes and the critique by José da Veiga Oliveira to demonstrate that the existing border between popular classical music become less evident with this album. This is due to the high compositional quality of the songs and arrangements by Tom Jobim, the introduction of João Gilberto and the guitar rhythms that would come to symbolize bossa nova

Canção do Amor Demais: marco da música popular brasileira contemporânea