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Os índios Wayana, que vivem às margens do rio Paru de Leste, norte do estado do Pará, concebem que a fabricação de pessoas, casas, artefatos, padrões e muitas outras coisas está estreitamente relacionada aos demiurgos, porque eles as criaram nos tempos primordiais segundo uma tecnologia própria. Como enfatizam, os Wayana julgam-se apenas os "experimentadores" desses princípios criativos. Eles os empregam na elaboração de artefatos para uso cotidiano ou ritual, categorias estas que possuem características diferenciadas, resultado do poder generativo da tecnologia demiúrgica, mas que precisam ser controladas através das habilidades humanas. O artigo descreve os princípios criativos e de fabricação material em sua conectividade com as narrativas míticas e a cosmologia, detalhando os mecanismos das experiências realizadas pelos Wayana na produção e na utilização de obras belas e eficazes, objetivo de toda e qualquer criação. The Wayana Amerindians, who inhabit the banks of the Paru de Leste river in the north of the state of Pará, conceive of the fabrication of persons, houses, artefacts, patterns, and many other things, as strictly related to the demiurges, since it was the latter who created them in primordial times according to their own technology. As the Wayana stress, they are merely the "experimenters" of these creative principles, which are employed in the elaboration of artefacts for daily or ritual use - these categories possesing differential characteristics as a result of the generative power of the demiurges' technology, but which need to be controlled through human abilities. The article describes creative principles and material fabrication in connection to mythical narratives and cosmology, detailing the mechanisms of the experiments carried out by the Wayana in the production and utilization of beautiful and effective works, which is the aim of every creative process

Mulheres de cera, argila e arumã: princípios criativos e fabricação material entre os Wayana