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A partir da polêmica sobre a autoria de Frankenstein (1818), ensaio uma análise que o insere em uma história cultural da subjetividade. Exemplar do gótico inicial, provável primeiro exemplar de ficção científica, o romance também faz parte de uma vertente literária que explora a experiência de ser "assombrado" por um fantasma, uma memória, um monstro. Busco reconstituir essa experiência em termos históricos e psicossociais para compreender as relações entre desejo, normas e convenções culturais na emergência da heterossexualidade compulsória. Starting with the polemic about Frankenstein's (1818) authorship, I develop an analysis that includes it in a cultural history of subjectivity. The book is an example of the early gothic, probably the first book of science fiction, but it also takes part in a lineage of novels that explore the experience of being haunted by a phantom, a memory, a monster. I try to reconstitute that experience in historical and social psychological terms to comprehend the relations between desire, norms, and cultural conventions in the emergence of compulsory heterosexuality

Frankenstein e o espectro do desejo