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O texto aborda a presença da plumária na moda feminina do século XIX. No Brasil, houve produção de enfeites com penas, que não provinha dos índios. Havia manufaturas que forneciam mercadorias para as lojas da capital. Com base nos relatos de viajantes que passaram pelo Brasil no século XIX, e no material depositado no Museu Estatal de Etnologia de Munique, o autor enfatiza as manufaturas existentes no Brasil e a captura indiscriminada de determinadas espécies de aves para atender a demanda da sociedade da época. Desde o século passado, as aves de penas mais bonitas passam a rarear, o que começa a ser acompanhado pela preocupação com o controle da caça. The article focus on the presence of plumage in the 19th century fashion. In Brazil, the feathers for the production of feather pieces were not necessarily supplied by Indians. There were manufacturers that supplied the stores in the country's capital with these pieces. Based on travelers' reports on nineteenth-century Brazil as well as on material from the State Museum of Ethnology in Munich, the author emphasizes the indiscriminate capture of some species of birds in order to face the demand of society at the time. In the 19th century, the most beautifully-feathered birds progressively began to become rare, which naturally brought forth the concern with uncontrolled bird capture

Plumas como enfeites da moda