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Toys have a playing purpose as well as a multi-functional dimension, as they relate to visual communication since their representations lead to unexpected practices by the child, which stimulates designers to be constantly exploring new ways of presenting their narratives to a double-audience of both parents and children. This article investigates how the discourse of toy campaigns has changed over the last decade, by focusing on the verbal and visual features of contemporary toy campaigns. It draws on the social semiotic approach of Kress &amp; van Leeuwen (2006) for the images’ analyses and on cultural studies (BROUGÈRE, 2014) to provide a broader view on the issues of diversity, representation and inclusion. The analyses suggest that as diversity and the gradual breaking of gender boundaries have gained more visibility in children’s media, we have been witnessing the disruption of existing narratives traditionally conceived in toy lines and campaigns.

ON DIVERSITY, REPRESENTATION AND INCLUSION: NEW PERSPECTIVES ON THE DISCOURSE OF TOY CAMPAIGNS