English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

The deconstruction of the discourse on trauma in two Eastwood films: a contribution from clinical-political psychoanalytic interventions. How can some film productions feed the debate on the psychoanalytical notions of trauma? We analyze two films by Clint Eastwood, “Mystic River” and “American Sniper” based on the psychoanalytic view of trauma. As a working method, we resume the concepts of narcissism of minor differences, trauma, speech as an event, event and event break-up to call into question binary opposition and ego-referenced thinking that can reinforce stereotypes and prejudices that hinder the mobility and transformation of traumatic events in thrusts toward life. Our intention is to deconstruct some speeches guiding contemporary culture and to contribute to clinical-political psychoanalytic interventions.

A DESCONSTRUÇÃO DO DISCURSO SOBRE TRAUMA EM DOIS FILMES DE EASTWOOD: UMA CONTRIBUIÇÃO DAS INTERVENÇÕES PSICANALÍTICAS CLÍNICO-POLÍTICAS