English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

The audiovisual history of women in Argentina puts in perspective the formal, thematic and stylistic markers behind the performance. Their vision of reality, the uses of the body and the processes of autopoiesis emphasize subjective aesthetic processes that transcend the social through acoustic and visual mediatization. Certainly, the history of theater, radio and Argentine cinema has not given the deserved attention to these artistic training processes and body education within the context of the history of women. The body in the filmic representation presents a little-studied historical aspect, which is part of an aesthetics of socio-cultural gender resistance. These processes resignify all our understanding of the politics of representation in Argentina, of the visible and the audible in the first three decades of the 20th century.

Voces y cuerpos femeninos: educación y resistencia en el cine argentino