English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

In São João del Rei / MG, between 1915 and 1916, girls and women, local elites daughters, acted in the performances of an amateur theater group, although the presence of women on stage was not favorably seen by most people belonging to these social groups. In order to understand the education of sensibilities that occurred during these presentations, we analyze the motivations of the amateur group in choosing the operettas presented and distributing the roles to the actors. The sources used were newspaper clippings, concert programs, operetta manuscripts, and books that belonged to the Clube Teatral Arthur Azevedo and to the amateur Antonio Guerra. We observed that girls and marriageable young women showed their skills during the performances, which can be understood as an extension of school and salons. They reinforced hegemonic sensibilities, ways of qualifying the world, to understand and experience gender relations.

educação em revista

MENINAS E MOÇAS CASADOURAS NOS PALCOS DE SÃO JOÃO DEL-REI - MG: A EDUCAÇÃO DAS SENSIBILIDADES NOS ESPETÁCULOS REALIZADOS PELO CLUB DRAMÁTICO ARTHUR AZEVEDO (1915-1916)