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Hip-hop culture serves as a space to correct, prescribe, make known, and show up. Additionally, it offers its users opportunities to do what other spaces cannot, and that is to present a remix of a previously accepted script. Reintroduction can help Black lives, survive, dismantle, and escape systems of thinking that render them invisible and unheard. In this conceptually grounded manuscript, I discuss intergroup dialogue (IGD), with particular attention to IGD pedagogy. Though an important pedagogical strategy in and outside of higher education, IGD pedagogy may be operating to stifle the full expression of Black participants. By way of intervention, I point to possibilities within hip-hop feminism and hip-hop aesthetics to assist educators and facilitators in reimagining IGD pedagogical practice.

“Who’s got bars?”: Remixing Intergroup Dialogue Pedagogy through Hip-Hop Feminism