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i ACKNOWLEDGEMENTS iii LIST OF TABLES vi LIST OF FIGURES vii PREFACE viii CHAPTER 1: COLQUITT, GEORGIA AND SWAMP GRAVY 1 Map 4 Colquitt-Miller Arts Council (CMAC) 10 Community Performance: Theater of the People, By the People and For the People 15 CHAPTER 2: NARRATIVE PROCESSES IN URBAN PLANNING 21 The Narrative Turn in the Social Sciences 33 The Narrative Path to Active Communities 38 Story and Critical Race Theory 43 Communicative Agency and Storytelling in Community 44 Common Challenges to Narrative Theory and Praxis 46 CHAPTER 3: METHODS 50 Data Collection 51 CHAPTER 4: COMMUNITY PERFORMANCE: PROCESS & PRAXIS 56 Historical Parallelism: Beyond Confrontation 60 Proleptic Stories: Playing Forward Lessons for Today 63 Community Storytelling as Responsive Self-Regulation 67 The Holographic Story 69 Multiple Stories Equals Multiple Perspectives 71 Activating a Community of Communicative Agents 73 Community: Performance and Mimicry 76 Gathering Stories and Co-creating the Plays 80 The Ebb and Flow of Community Buy-in 93 Designing a Theater with Community in Mind 111 Collaborative Place Making 119 Experiencing Cotton Hall 125 Swamp Gravy’s Sacred Structures 130 v CHAPTER 5: BEING A PERSON IN COMMUNITY 138 Community as Experience 138 Community Experience Tracks 143 Swamp Gravy and Race: Mixing It All Up 179 Empowerment: Can Do Spirit 197 Empowerment: Confidence 200 Empowerment: Communicative Agency 203 Empowerment: Political 212 Empowerment: Making Connections 216 CHAPTER 6: BUILDING ON SUCCESS 225 Identity 225 Community and Economics 235 CHAPTER 7: CONCLUSION 256 Findings 258 Recommendations for Future Research 286 REFERENCES 288

Narrative Processes in Urban Planning: A Case Study of Swamp Gravy in Colquitt, Georgia