English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

This article discusses how contemporary cinematographers make technical and aesthetic decisions about exposure when working with actors of different skin colours – specifically those of Asian ethnicities. Having worked internationally as a cinematographer and lighting co-ordinator, with casts belonging to different ethnicity groups, I am able to offer practical insight into the interaction between colour, the quality of light, and Asian skin in digital film production. As I will explore below, it is encouraging to see that cinematographers have begun exploring ways to better illuminate Black actors, and arguably, the same level of care and creativity can be applied when filming Asian talent. The article will examine firstly, how exposure tools for the camera are used, and secondly, the different approaches of industry practitioners seeking to develop more careful and varied ways of lighting Asian skin.

Reading the Light Right: The Exposure of Asian Skin Tones in Cinematography