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Recent attention to the trajectory of the magazine Arquitectura between 1918 and 1936 has brought to the fore the architect Paul Linder (1897-1968) and his role in disseminating the postulates of Germany's Modern Movement in the Spanish professional scene, especially in Germanophile circles of the Madrid of those years. It may come as a surprise, then, that Linder's first rapport with Spain should have been closely linked to Catalanism. What happened was that in 1921, having finished his studies in the Bauhaus of Weimar, Linder and his friends Ernst Neufert and Kurt Lowengard went on a trip that had them covering much of the Iberian Peninsula in the course of a year. They embarked on the trip with concrete references and aims, following the trail of Gropius, who in 1907 had himself finished his studies and set off for Spain to study the architecture and crafts of the country for a whole year. In Barcelona he had come in contact with the architect Puig i Cadafalch. Thirteen years later, history repeated itself. Linder and Neufert were commissioned by the Institut d'Estudis Catalans to carry out works of Catalan Gothic architecture. In this work, the historic building of Catalan identity intermingled with redemptive visions of the crystalline cathedrals of postwar Germany.

Paul Linder: arquitecto, crítico, educador. Del Bauhaus a la Escuela Nacional de Ingenieros del Perú