English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

The article examines an icon of the Virgin and Child, of the type known as Madre della Consolazione, in the British Museum. This hybrid type incorporates both western and Byzantine iconographic elements. It was developed within the context of the Venetian-dominated Cretan society after the fall of Constantinople in 1453, and its immense popularity relies on the fact that it reflects the hybrid society that created and embraced it.

THE MADRE DELLA CONSOLAZIONE ICON IN THE BRITISH MUSEUM: POST-BYZANTINE PAINTING, PAINTERS AND SOCIETY ON CRETE