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espanolEn este articulo se analizan las nuevas formas literarias que estan emergiendo en el genero neopolicial mexicano del siglo veintiuno. Para identificar esta nueva narrativa que transgrede los parametros establecidos por su predecesor, el neopolicial, se propone un nuevo termino: el post-neopolicial. Se analizan seis caracteristicas sobresalientes: 1) la fragmentacion estructural, 2) la estetica del lenguaje, 3) la inclusion de personajes mas complejos y altamente psicologicos, 4) la disminucion de la importancia del detective, 5) la descentralizacion de los espacios narrativos y 6) la denuncia sociopolitica implicita que se presenta mediante la construccion de imagenes impactantes y situaciones caoticas. Como novelas prototipos de este nuevo genero se estudian La Mara de Rafael Ramirez Heredia, Yodo de Juan Hernandez Luna, La muerte me da de Cristina Rivera Garza y Muerte caracol de Ivonne Reyes Chiquete. EnglishThis article analyzes the new literary forms that are emerging in Mexican detective fiction of the twentieth-first century. To identify this new narrative that transgresses the parameters established by its predecessor, the neopolicial, we are proposing a new term: the postneopolicial. As a prototype of this new narrative, we analyze the novels La Mara by Rafael Ramirez Heredia, Yodo by Juan Hernandez Luna, La muerte me da by Cristina Rivera Garza and Muerte caracol by Ivonne Reyes Chiquete. We analyze six predominant characteristics in these novels: structural fragmentation, heightened linguistic sophistication, the inclusion of more complex and highly psychological characters, the decreasing importance of the detective, the decentralization of narrative spaces and the implicit sociopolitical denunciation that is presented by the construction of shocking images and chaotic situations.

Nuevas tendencias en el género neopolicial mexicano del siglo XXI