English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

The preparation of the notes to the correspondence exchanged between Joao Guimaraes Rosa and his French translator Jean Jacques Villard has taken us to enlarge our understanding of the reception and translation of the writer’s work in France during the sixties. One of the points of that process which has always aroused in us a certain perplexity, and that the letters between the writer and his translator were not able to clarify, was about how they got in touch with each other. The inquiry we undertook from the name of Michel Chodkievicz, Seuil’s publisher, responsible for the printing of Joao Guimaraes Rosa’s works, has taken us not only to answer that question, but also to understand the fundamental role that a publisher’s personal commitment to a work played in the publishing of Corpo de Baile in France in that time.

Sete novelas a procura de um tradutor: a aventura de Corpo de baile na França