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The discussion about imaginary promotes an approach with values, its subjective and affective mechanisms in media texts of different genres such as news and movies. In the paper the relevance of cronotopo category is crafted to address the specific way of dealing with events in peripheral areas, while seeking to subvert the premise of objectivity in its production. In the case of journalistic news and national films on national and metropolitan peripheries there is an exploration of spatiality as places that repeatedly evoke an alleged crimes and prescribing corresponding punishment. As a result, we find the precedence of the colonial imagination as a necessary mediation and allocation source of meaning in media texts, which allows for a check to its uniqueness and its apparent linearity.

Sobre lugares de crimes e castigos: periferia e imaginário colonial