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This article intends to analyze the semiotic implications of Mohamed’s cartoons in a Danish newspaper in September of 2005. Besides describing the impacts of the publication, which reached the year 2006, this paper considers the political and religious dimensions of the images, highlighting language features of the cartoons. The images are studied through the theoretical frame of the Tartu-Moscow semiotic school, among other perspectives, relating them to the iconoclast position of the Protestants in the western culture. Thus, the cartoons are taken as symbolic elements that signalize cultural tensions between East and West.

A mídia, o sagrado e as imposturas da imagem: implicações semióticas das charges de Maomé