English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

The idea of my paper concerns the ancient problem of the interrelated coexistence of nature and culture in human civilisation, with the emphasis that nature is perceived as the source of an individual’s creative process. The classical Greek concept of an artist conceived him as a wise figure, capable of deep insights into physis, φυσις; this implied the artistic revelation of nature’s laws in the creative procedures. This is clearly revealed in the unique form of the meander, which is the aesthetic symbol of life forces and serves as a typical example of the human effort to bridge the physical environment with the world of ideas and creativity inherent to human nature. Whether they assume the dynamics of the processes of natura naturata or natura naturans, the mimetic procedures ceaselessly aim to grasp the essence of both the inner and outer worlds. Mikalojus Konstantinas Čiurlionis’s oevre covers two fields of apparently differing natures: music, which is expressive and temporal, and painting, which is constructive and spatial. They will be investiWiesna Mond-Kozłowska The Ignatianum Academy Faculty of Philosophy ul. Kopernika 26, Kraków, Polska E-mail: wiesna.mond@ignatianum.edu.pl Research interests: comparative aesthetics, dance aesthetics, correspondances des artes, synaesthesia

Rhythms of Nature and Culture in the Art of M. K. Ciurlionis