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The class of 1879 and 1883 at the Imperial College of Engineering in Tokyo set out to create comprehensive theses about the future of architecture in Japan, looking to new materials, foreign forms, and revolutionary engineering to describe the development of the architectural landscape ofJapan as they tried to adapt to Western influence. One of the students, Sone Tatsuzo, made several points within his essay marking the essence ofwhat the

Japanese Cultural Transition: Meiji Architecture and the Effect of Cross-cultural Exchange with the West