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El planteamiento inicial de este trabajo consistia en un estudio comparativo de dos peliculas de la India dirigidas por Mehboob Khan —Maya (Aan, 1953) y Madre India (Mother India, 1957)— a partir de sus versiones originales y las estrenadas en Espana en esa misma decada de 1950. En ambos casos se trata de peliculas en las que el metraje original se redujo considerablemente para su exhibicion en Espana. Sin embargo, la inexistencia de material suficiente para este proposito obliga a redirigir la investigacion hacia el caso particular de Madre India: las vias de distribucion de la pelicula y su circulacion por diversas pantallas del pais, asi como los motivos (narrativos y politicos) que llevaron a reducir a la mitad el metraje de la version integra original. Palabras clave: Bollywood, multiversiones, exhibicion, recepcion, Espana, archivos filmicos, Madre India, Mehboob Khan. Abstract: At the beginning, the aim of this research was to compare two Indian films directed by Mehboob Khan – Aan (1953) and Mother India (1957) – considering their original versions and the ones showed in Spain theatres during the 1950s decade. In both cases, the length of these films was reduced considerably in order to be released in Spain. In spite of the original purpose of this research, there was no enough material for the comparative study. For this reason, eventually the research takes only Mother India as a case study and it focuses on how the film was distributed, on its exhibition in diverse Spanish theatres, and on the narrative and political reasons that reduced into a half the film’s original length. Keywords: Bollywood, multiversions, exhibition, film archives, reception, Spain, Mother India, Mehboob Khanm.

secuencias

Bollywood en Quismondo: versiones del cine indio para la exportación, 1953-1962 / Bollywood in Quismondo: Versions of Indian Cinema for Export, 1953-1962