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Based on the theoretical proposals of Roman Ingarden and Wolfgang Iser in the field of literary criticism, this article states that the void is constitutive of every work of art, and therefore it is possible to consider the work of art, in its different possible forms, as a mixture of indetermination and explicit meaning. This allows to define a common mechanism of meaning formation that acts in the different artistic forms.

La construcción del significado en la experiencia estética