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La propuesta filosofica de Eugenio Trias restaura la vocacion metafisica y el afan sistematico de la tradicion europea. El resultado es un magno edificio conceptual presidido por la nocion de limite, instancia de separacion y enlace entre el mundo y la trascendencia. En este trabajo se emprende, desde la filosofia del limite, un breve analisis de la relacion entre musica y filosofia cuya representacion del limite apunta al concepto de “simbolo”. Se propone justificar la naturaleza significativa y cognoscitiva de la creacion artistica como la actividad que encarna el ser fronterizo y cuya materia a menudo ofrece resistencia al trabajo categorial. Palabras clave: Limite, simbolo, razon, metafisica, ontologia, frontera, musica.Abstract:Eugenio Trias’ philosophical approach restores the metaphysical vocation and the systematic effort of European tradition. The result is a vast conceptual building  dominated by  the notion of limit, as an instance of separation and link between  the world and the transcendence. In this paper undertakes, from the philosophy of the limit, a brief analysis of the relationship between music and philosophy whose  representation of the limit points to the concept of “symbol”. It aims to justify the significant and cognitive nature of the artistic creation as the activity that embodies the frontier being, and whose matter often resists categorial treatment. Keywords: Limit, symbol, reason, metaphysics, ontology, frontier, music.

bajo palabra

La resistencia de la música al concepto filosófico: una aproximación al pensamiento del límite / Strength of music to the philosophic concept: an approach to the limit thought