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El comendador Garcia de Padilla, miembro de un importante linaje y vinculado a la corte de Carlos V, planeo su enterramiento en el templo de la sede de la Orden Militar de Calatrava. Para ello consiguio la llamada “Capilla Dorada”, comprada al embajador don Francisco de Rojas, en la que se emprendieron diversas obras de ornamentacion, destinadas no solo a reflejar un determinado programa iconografico de tipo religioso, sino tambien a recordar perpetuamente los vinculos de Padilla con el emperador. El proposito principal de este trabajo es, por una parte, analizar la iconografia de dicha capilla, pero especialmente se pretende contribuir al estudio de los usos y actitudes ante la muerte entre las elites de la Edad Moderna, donde las obras de arte se convierten en portadoras de mensajes propagandisticos destinados en gran medida, a la exaltacion del linaje.Palabras clave: Capilla Dorada. Iconografia. Padilla. Orden de Calatrava. Patronazgo. Nobleza.Abstract The knight commander (comendador) Garcia de Padilla, a descent of an important lineage related to Carlos V court, planned his burial in the temple of the Calatrava fortress, headquarters of this Military Order. With this purpose in mind, he bought from the ambassador D. Francisco de Rojas the so-called “Golden chapel”, in which he undertook several ornamentation works. This decoration was aimed not only to represent a religious iconographic program, but a perpetual reminder of his relationship with the emperor. The aim of this paper is two-fold: first, to analyze the iconography of the above mentioned chapel and, more important, to increase our knowledge of the habits and attitudes towards death among Modern Age elites, where art conveys a propagandistic message, mainly aimed at the exaltation of their nobility.Key words: Golden Chapel. Iconography. Padilla. Calatrava Order. Patronage. Nobility.

anuario del departamento de historia y teoría del arte/anuario del departamento de historia y teoría del arte

La Capilla Dorada del convento de Calatrava la Nueva. Precisiones iconográficas y patronazgo / The “Golden Chapel” of the convent of Calatrava la Nueva. Iconographic precisions and patronage