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In this article I seek to explore the juxtaposition of indigenous subject and machine in film. Thus, I approach “indigenista” films, that is, films that show a well-disposed stance towards indigenous people from a non-indigenous perspective. I analyze two films that are representative of two projects of “indigenista” cinema in Latin American: the first one, produced by the Instituto Nacional Indigenista in Mexico and the second one, made by Brazilian anthropologists from the organization Video in the Villages.

DEL “HOMBRE CIVILIZADO” AL “BÁRBARO TECNIZADO”: EL CINE INDIGENISTA EN MÉXICO Y BRASIL