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This article is a brief in which the social role transformer singing in ancestral communities Colombian Pacific as a mechanism of social repair, political resistance and autobiographic resilience under the specter of a wealth of cultural knowledge claimed historically present, but always dynamic, through the leading role of the singers, specifically in Dona Helena Hines, who act as teachers in the re-significance of their cultural knowledge, to bring young people from social contexts of violence, exclusion and marginalization, under the tonic effect of Canta. In such an effort, the methodology that serves as an epistemological pretext, in order to penetrate into the world of the nonrepresentative, is the decolonial one. With it, it is possible to demonstrate the transforming role of singing at historical level, but even more, at the level of everyday social action.

hallazgos

El canto como mecanismo de reparación en las comunidades negras, víctimas de la violencia, del Pacífico colombiano: entretejiéndose con el grupo Integración Pacífico