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The artwork can be looked at, and it is the perspective from which this text is constructed, as a form of thinking, and in this context, as a form of philosophical production. It is about seeing the same artistic object become a phenomenon of interpretation of life, and thus offers vital answers to the same everyday life, both of the artist/creator and of the spectator. The exercise arises from the visit of the renowned and controversial French artist Orlan to the museum of Modern Art of Bogota, so this article has as purpose to make an aesthetical and philosophical approach to the artist’s performance, since her beginning to her last photographic works, through the perspective of body without organs; philo sophical concept used by G. Deleuze and F. Guattari (2000).

Una mirada al performance de Orlan desde una lectura del CsO