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When the news broke out that the military successfully neutralized the most wanted terrorists since the September 11 attacks on the World Trade Center, there was a wave of excitement, thrill, tears and patriotic riots in front of the White House. The Washington Post reports several thousands of y oung Americans rushing to the fence of the White House, in a spontaneous display of jubilation, dancing and cheering ‘USA!'[1]. Not long passed before there were T-Shirts celebrating Bin Laden's death being sold. President Obama addressed the nation, claiming that justice has been served. Relief flooded through the American world, even in the euphoric moment, as if they have been searching for some crumb of comfort, or partial closure ever since that awful morning of 9/11 . The emotional and psy chological wounds of the 9/11 tragedy become thus more ev ident, from ten y ears ago, when the image of the great world in its image crushed so profoundly that it become something new, an unknown and fearful of the so-called post-9/11 , or the world of after.

“This Was the World Now”: Don DeLillo’s Falling Man as the Literary Memorial to the 9/11 Tragedy