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The present article intends to expose the theater actions in the project called “Morro em Cena”, in the context of a museum in the interior of the state. With the reflections presented, it is intended to strengthen discussions about theater practices, for different age groups, within museological institutions. The methodology used for this work was “Research Based on the Arts”, which is based on using unconventional forms of investigation, such as the use of visual or performance resources. The objective was to demonstrate a museological practice that is effectively inclusive and intergenerational, with an inter and multidisciplinary bias, committed to the collaborative construction of knowledge through the realization of several plays, presented in different cities and contexts. Henceforth, based on the discussions now proposed, the aim is to develop a documentary and make a short film. Throughout these two years of artistic actions within the museum space, with children and adults, results have been observed that transcend quantitative measurement. The gains were related since the improvement of communication, orality and disinhibition, by the children, regarding the sense of belonging and transgenerationality. More than theatrical plays, whose dramatic appeal brings into play the reminiscences of the ancestors of that community, direct contact with the Museum’s collection enhances the feeling of sharing the unspeakable, allowing for a new meaning of memories and actions.

MORRO EM CENA – A VIDA EM ARTE NO MUSEU HISTÓRICO DE MORRO REDONDO/RS