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This article discusses the way in which a paranoid imagination – something quite recurrent in contemporary literature, according to critics such as Stefano Ercolino – appears in the first two parts of the novel 2666, by Chilean author Roberto Bolaño. Sketching brief parallels between Philip K. Dick’s and Thomas Pynchon’s oeuvres with Bolaño’s novels and stories, the article discusses what Bolaño’s work offers which is unique to the author and how it shows a path for a literary writing style that orbits around concepts such as fragmentation and the art of excess.

MENSAGENS CIFRADAS: PARANOIA EM "2666" DE ROBERTO BOLAÑO