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Schleiermacher’s anonymous  Soliloquies  of 1800 were written as a Supplement to his likewise anonymous book  On Religion, Speeches to its Cultured Despisers  of 1799. They are addressed to the circle of intellectuals around the early Romantic periodical  Athenaeum , to the „Holy family“ (Friedrich Schlegel), and moreover to the despisers of Transcendental philosophy whose state of discussion is reflected. Thus they belong to the history of modern individual thought. The form of the book follows the contemporary imitation of classical poetic form (Hölderlin) which was prevalent among the Athenaeum Circle as well. Schleiermacher discusses the separation of philosophy and life (Fichte), the forming one’s self and the forming of artistic works (Goethe), i. e. the dichotomy of individuality and artistry. He confesses himself not to be an artist. Schleiermacher’s intention in  Soliloquies  was to give philosophical idealism a personal depth beyond intellectual speculation. Looking back in 1803 he realizes, in the draft of a poem, that he had idealized his empirical self in his literary self. Except for a few remarks by Schlegel, who at first did not umask the author‘s anonymity, there was no reaction whatever from the Athenaeum Circle.  Soliloquies  later became a popular Protestant book for spiritual edification.

Friedrich Schleiermachers Monologen und der Athenaeums -Kreis Wirkungsabsicht und Wirkungswandel einer frühromantischen Schrift