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It is argued that, from a thematic point of view, the »Song of the Sea« (Ex 15,1–18) has a linearly alternating design, a wave-like motion: explicit praises of God alternate with portrayals of the fate of the enemies. This design coincides with a pattern of linearly alternating verbal recurrences. The design is also supported by a strict regularity in terms of cantos and strophes: vv. 1–2.3–5 | 6–8.9–10 | 11–13.14–16b | 16c–18 &gt; A.B|A’.B’|A’’.B’’|A’’’ &gt; 3.3 | 3.3 | 3.3 | 3 &gt; 6.6.6.3 lines of poetry. The  staircase parallelism  of vv. 6, 11a–b and 16c–d highlights the  opening  lines of the second, third and fourth canto. The concluding Canto IV represents the dénouement of the hymn.

The Wave-like Motion of the »Song of the Sea« (Ex 15,1–18) and the People of Israel as a Worshipping Community