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The emergence of Marathi theatre in its upper caste, urban and commercial form in the 1850s was also the beginning of the search for a refined form of theatre. One aspect of this process was revealed in this theatre’s engagement with diverse forms including Western genres, extant local forms and classical theatrical models. The other important aspect was its engagement with the notion of respectability. Additionally, the practice of female impersonation nurtured by this theatre contributed significantly to the transformations in the fashioning of gender normativity in colonial India. I contextualise the text and performance of Sangit Saubhadra as it exemplifies the intersected field of these negotiations and hope to show the forms of appropriation and exclusion involved in them

“English Rasa” and the Making of a Love Story on the Marathi Stage: The Case of Sangit Saubhadra, 1882-1920s