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Thanks to technological developments that allow controlled, scheduleindependent, and repeated attentive viewing, dramatic television series have substantially increased narrative and thematic complexity, both within the individual episode and season, and within the multi-season arc.  Lost  and  Battlestar Galactica , which opened with a single cataclysmic event determining their storyline over several seasons, did so by reflecting on the trauma of 9/11 and its long aftermath. Each series also spoke to the political question how long national identity can, or should, be determined by historical trauma, and in what manner this trauma itself is to be written into the national record. In their specific ways of aligning their own narrative closure with the Bush administrations’ exit from office in 2008,  Lost  and  Battlestar Galactica  pursued a historical allegory of transcending trauma and achieving national renewal.

Exit Strategies: Narrative Closure and Political Allegory in Lost and Battlestar Galactica