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Starting with a reading of Christy Lefteri’s refugee narrative  The Beekeeper of Aleppo , this article looks into the fragmentation and instability of the notion of home for refugees, highlighting the resort of the characters to a notion of  homing  as a practice of planetary dimensions. By looking at the role of bees and beekeeping in  The Beekeeper of Aleppo  and the Macedonian documentary  Honeyland  home is explored as a ‘verb’ rather than a static location. Moreover, this article also reflects on human and non-human kin, to use Donna Haraway’s term, in the creation of home spaces and relations.   I would like to express my gratitude for the support I have received as a Postdoctoral Fellow at the ICI Berlin Institute for Cultural Inquiry while working on this paper.

Home Is where the Bees Are! Beekeeping as Homing in Christy Lefteri’s The Beekeeper of Aleppo and Tamara Kotevska and Ljubomir Stefanov’s Honeyland