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The present article analyzes visual and literary surrealism as a theme and method in Olga Grushin’s debut novel  The Dream Life of Sukhanov , paying particular attention to ambiguity and estrangement, unreliable narration and  ekphrasis  shading into hallucination. It discusses the functions of Shklovsky’s  ostranenie  and Todorov’s  fantastique  in the surreal, and analyzes the novel’s use of the three gateways to surrealism: dreams, drugs, and madness.

Surrealism as Theme and Method in Olga Grushin’s The Dream Life of Sukhanov