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Inspired by Allan Kaprows performance 18  Happenings in  6  Parts  (1959), the Black American writer Samuel R. Delany created his own mode of 'narrative spaciality.' Spaces to him are primarily systems of signs, conventions, and power. These 'semiospheres' determine all modes of cognition and provoke the fundamental question of whether and how human beings can escape the semantics of their respective culture. This article traces the metamorphoses of Delany's spacial concepts in his literary, essayistic, and autobiographical ceuvre and thus also reconstructs the intellectual development of one of the most idiosyncratic American postmodernists.

“the spaces between the columns”: Die Text-Raume und Raum-Texte des Samuel R. Delany