English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Plus monthly

Global: Zendy Tools annual

Global: Zendy Tools monthly

Global: Zendy Free Plan

The title of Tim Winton’s 2001 novel Dirt Music reveals one of the central binaries at work within: Dirt, or place, presence, nature on the one hand, and Music, or emotions, past, culture on the other. Dirt Music, set in Western Australia, revolves around the love story between Georgie Jutland and Lu(ther) Fox. Lu, a folk guitarist, retreats from society after the tragic death of his family, who also formed his band. During his stay in the deserted North Australian coastal region, he experiments with the possibilities of living - and making music - outside of cultural constraints. The emphasis in this paper will be on how the two factors of dirt and music interplay within the construction of his identity. The novel proposes a perspective on music that eventually offers a reconciliation of the alienation of man’s identity between nature and culture.

The Beat of the Land: Place and Music in Tim Winton’s Dirt Music