English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

Undoubtedly, John Ford's Rio Grande can be regarded as a prime example of the so-called Cold War Western. Released in November 1950, the film was read by many film critics as the director's right-wing statement on the Korea crisis. Sharing this view, my analysis will show to what a high degree Rio Grande supported the conservative gender politics of American postwar society, which, as Elaine Tyler May and others persuasively argue, fought communism not· only in remote parts of the world but also and especially in the family, with women, and mothers in particular, blamed for involuntarily supporting the 'red' infiltration.

John Ford's Rio Grande: Momism, the Cold War, and the American Frontier