English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Zendy Plus

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Zendy Tools

Zendy Open

The tablets BM 113931 and BM 113940, published here, come from Hall’s excavations at Ur and were included in Geller’s (2005, 98) catalogue of the LB literary tablets of this group.1 The tablets preserve incipits and extracts of the sequences of sections of the Balag̃ du t u g i n 7 è t a and the Balag̃ u k k i n t a e š b a r t i l l a . Both tablets are written with large script and dividing lines between the various incipits and extracts, and are very likely to have been written by the same scribe. The tablets contain some syllabic writings and glosses (such as ú m u u nu m u n in BM 113931, l. e., r. l), as well as peculiar writings, which differ from the version known from other manuscripts of these Balag̃s. These writings may serve as indications for the purpose for which the tablets were copied, namely, for the actual pronunciation during the cultic performances of these Balag̃s. Like other LB tablets containing Balag̃s and Eršemas, BM 113931 and BM 113940 contain many indications related to their musical performance (see below).

Two Summary Tablets of Bala Compositions with Performative Indications from Late-Babylonian Ur