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With a view of Georgian cinema under the current spotlights of variousinternational film festivals, the author reviews the state of the art ofGeorgian film production, linking it to the impressively long history ofGeorgia’s cinematographic production. Recently, a targeted film promotionpolicy has focused on international co-productions and on fostering cooperativeventures with European partners. Among the young filmmakers a remarkably largeproportion are female.

comparative southeast european studies

‘Georgian Film Is a Completely Unique Phenomenon.’ A                    Film Scene with History, or Georgian Cinema in the Emancipation                    Loop