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The study is looking into the first creative period of the Bulgarian poet Teodor Trajanov based on his newly rediscovered works. They allow the description of the author as a conscious mediator between the Viennese and the Bulgarian modernity, who imports himself in the vernacular Bulgarian literary environment as a “modern poet” from Vienna. For the first time, the analysis discovers actual connections between the poetry of Trajanov and the specifics of the Viennese modernity as a cultural environment. On the basis of critical texts from the author, his views on modern works are described and defined in the spirit of the age as “decadent”. Trajanov is also the only Bulgarian literary figure, who fits the processes of the late Viennese modernism with his screenplay for a play in the Viennese Volksoper from 1914. The text considered lost by Trajanov researchers has been presented for the first time after its discovery by the author of the article, with the required contextual reconstruction. Here, the mediatory role of the poet between two modern European cultures of the beginning of the 20th century, as well as new perspectives not only for the exploration of Trajanov’s poetry but also for reconsidering the inception of the Bulgarian modernism, are considered.

Teodor Trajanov als Vermittler zwischen der Wiener und der bulgarischen Moderne