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The approach of this text is a comparative reading of particular thematic and ideological similarities and differences between two emblematic Bulgarian poets: Hristo Botev (1848–1876) and Pencho Slaveykov (1866–1912). As they are also representative figures of two significant cultural periods – the National Revival (in its Romantic appearances) and Modernism – the current study develops wider analytical parallels. A number of Friedrich Nietzsche’s concepts and conceptions are selected as a basis for these comparisons. Although Botev did not have direct access to Nietzsche’s works, while Slaveykov, by contrast, was the first active and committed supporter of the German philosopher in Bulgaria, Botev’s views are often surprisingly close to Nietzsche’s, while Slaveykov sounds at times more like a cultural missionary than an organic continuator. Thus, while in the course of the study hidden dialogues and invisible motifs — especially in Slaveykov’s cultural argument with Botev — were revealed, valid starting points were also unearthed for new interpretations of this well-researched literary period. Such points include the romantic characteristics of the Bulgarian National Revival, the connections between the Revival and Modernism, based on the “Romantic common ground” in both movements, and intentions regarding the assertion and/or construction of a native genealogy of Bulgarian Modernism.

Bulgarische Nietzsche-Reminiszenzen romantisch und modern: Christo Botev und Penčo Slavejkov